FENTY x PUMA SS18 Release

SS18 @FENTYXPUMA is out NOW! ?? So excited for y'all…

Happy 30th Birthday Rihanna!

Since there are so many of us, words can’t describe…

Rihanna performs and wins at the 2018 Grammy Awards

Rihanna and Kendrick Lamar took home the Grammy Award for…

Fenty Beauty MATTEMOISELLE Lipsticks

Ett inlägg delat av badgalriri (@badgalriri) 26 Dec 2017 kl….

has tapped into a palpable void
in the market for more inclusivity
in commercially sold beauty products.
Your top source for Rihanna Fenty
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Rihanna invited Vogue Paris into her eclectically chic world this Christmas, as three collectors’ covers by Jean-Paul Goude, Juergen Teller and Inez & Vinoodh celebrate the style and charisma of a modern-day icon.

Vogue Paris has had actors, designers, filmmakers and models. Catherine Deneuve, Vanessa Paradis, Martin Scorsese, Nelson Mandela and David Hockney have all taken a turn in the editor’s chair for their Christmas double-issue. This year, Rihanna is the special guest.

“She’s one of the most emblematic artists of the early 21st century. She’s moved more than 200 million records of her hybrid R&B, dance, rock and reggae-flavored music, provided sartorial surprises from glammed-up streetwear to reworked classics and is driven by an unparalleled desire to succeed. Stamped with her trademark bold body art, Rihanna cuts an unusual figure in the celebrity Hall of Fame,” writes Emmanuelle Alt, editor-in-chief of Vogue Paris in the December 2017/January 2018 issue.

Three covers and three fashion editorials by Jean-Paul Goude, Juergen Teller and Inez & Vinoodh capture the different facets of a superstar, as Rihanna invites Vogue Paris to a giant family Christmas.

Vogue Paris n°983, out December 1.

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27th
October, '17

Last week, Vogue Arabia shared a 10-second-clip on Instagram, in which Rihanna faced off with the infamous bust of Egyptian Queen Nefertiti. “Thousands of years apart, two iconic women will finally meet in the pages of Vogue Arabia,” read the caption. The clip quickly went viral. Today, the Vogue Arabia Arabic and English covers for the hotly-anticipated November issue have been revealed, and are already spreading rapidly.

Lensed by renowned photographer Greg Kadel (who also photographed Halima Aden for Vogue Arabia’s June issue), the superstar singer appears on the cover wearing Gucci paired with a custom Faeth Millinery-designed headpiece in a stylish homage to Queen Nefertiti.

“We are dedicating the issue to strong and dynamic women who are changing the world,” begins Vogue Arabia Editor-in-Chief Manuel Arnaut in the editor’s letter. “Rihanna, our cover star, is one of them. Not only is she one of the most successful pop icons ever, shaping the entertainment industry with her powerful tunes and unique sense of style, she is also an advocate for diversity.”

Indeed, for fashion’s biggest rule-breaker, inclusivity is crucial to her brand. The popstar unveiled a line of cosmetics, Fenty Beauty, last month that featured a range of fine-tuned foundations, highlighters, blushers, and a lip gloss that worked for each and every skin tone. “I don’t want women to say, ‘That’s cute, but it only looks good on her,’” Rihanna noted during the time of the launch. Her campaign featured hijab-wearing model Halima Aden as well as Duckie Thot.

Echoing the words of Arnaut, how exactly does one portray in a fresh way one of the most photographed women in the world? “Celebrity stylist Anya Ziourova had the answer, and during one of our many Skype meetings, she revealed that the pop star has a real adoration for Queen Nefertiti, and has her iconic bust tattooed on her ribcage,” he says.

The singer’s reverence for the legendary Queen is unsurprising. Ruling in Ancient Egypt next to her husband Pharaoh Akhenaten almost 3,500 years ago, Nefertiti still reigns as one of the most beloved figures from the Middle East. Known for her unmatched beauty — Nefertiti means “the beautiful one has come” — the Ancient Egyptian queen, who had a very active role in the country’s political sphere, is the picture of women’s empowerment.

Rihanna follows the other ground-breaking women to appear on the cover of Vogue Arabia, including Gigi Hadid, Halima Aden, Bella Hadid, and October’s special issue featuring four iconic Arab models: Afef Jnifen, Farida Khelfa, Kenza Fourati, and Hanaa Ben Abdesslem.

The magazine is available on newsstands on Nov 1.

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Let’s just call Rihanna what she is: the coolest woman on the planet—with beauty, talent, attitude, and personal style to spare. Here, the global megastar answers questions from a cross-section of her famous fans.

Somewhere between releasing her debut single “Pon de Replay” (to blitzkrieg effect) in 2005 and sitting down to discuss international education with Emmanuel Macron in 2017, Rihanna has become much more than a pop star. The music is still absolutely vital, yes—her eighth album, Anti, which has been kicking up dust on the dance charts since it dropped last year, was deemed by Forbes to be one of the most successful recordings of all time—but as an icon, she represents something far greater: what a woman can achieve when she tackles her career, and her life, on her own terms. Rihanna is always fearlessly, unapologetically herself, whether she’s making maverick fashion choices on the red carpet, calling out body shamers, or adding yet another unmistakably RiRi-stamped endeavor to her string of (singer-actress-designer-entrepreneur-philanthropist-etcetera-etcetera) hyphenates. We can now add beauty mogul to that list.

The singer has poured her uncompromising attitude into a much-awaited makeup line, Fenty Beauty by Rihanna, poised to launch with a big bang of 91 products on September 8 at Sephora (expect lines) and on the brand’s website (Internet = broken). Its focus, perhaps surprisingly from a practiced maquillage peacock who has been known to rock vivid blue and ink-black lipstick with defiant flair, is gleaming, satiny, flawless skin, built around an assortment of user-friendly highlighting and contouring sticks, and a whopping 40 shades of foundation.

“The biggest void I’ve found in the industry is the lack of variety in foundation shades,” Rihanna tells us. “That’s one of the things that was most important to me—to make sure everyone was included.”

It’s a nod, too, to the complexion-perfecting gateway drug that ushered the Barbados native into beauty in the first place: “Foundation was the first product I ever owned,” she says. “It was like magic, and I’ve been in love with makeup ever since.”

Avidly hands-on throughout the collection’s development, Rihanna helmed everything from the playful name selection (there’s a gold powder highlighter, for instance, dubbed Trophy Wife) to the packaging, which, like its creator, is multifaceted, with tough, graffiti-inspired outer boxes opening onto sleek, streamlined, sweetly pretty individual products.

“There are plenty of options out there when it comes to makeup,” Rihanna says. “My approach with Fenty Beauty was just to do things my way.”

 

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Full interview and BTS video after the jump!

(more…)

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PAPER MAGAZINE – It’s been almost ten years since Rihanna first graced our cover back in August 2007. It was right when she’d released her explosive third album Good Girl Gone Bad featuring the smash single “Umbrella.” Back then, just like her album’s title implies, Rihanna was at a turning point in her career, starting to break out of the glossy, pop princess mold and find her voice and her unique sense of style. “[Good Girl Gone Bad] really represents my liberation,” she told our writer Bevy Smith at the time.

In the decade since, she’s certainly found that freedom. She’s dropped five more albums, including last year’s hit Anti; was named CFDA’s Fashion Icon of the Year in 2014 (and accepted the award in that unforgettable, crystal-studded see-through Adam Selman gown); designed two Fenty Puma collections with the athletic brand (and will debut her third in Paris on March 6th); received the MTV Video Vanguard Award last August; and even traveled to Cambridge, MA, earlier this week to accept Harvard’s Humanitarian of the Year Award. And, amidst all this, what’s nearly as remarkable as her creative and professional accomplishments is the fact that she’s remained the cool, DGAF chick who will bring a bedazzled flask to the Grammys and often returns home to Barbados to don a bejeweled bikini and feathered headdress for carnival.

Now, the woman who can do it all is lending her talents to Hollywood; she’s part of the all-female Ocean’s Eight cast, starring alongside acting heavyweights like Cate Blanchett, Sandra Bullock and Anne Hathaway. For our spring #BreakTheRules cover, our team took inspiration from her budding acting career and chameleon-like powers of transformation to cast her as a high fashion clerk in a bodega of the future. “We thought it would be interesting to put a superstar like Rih in such an everyday surrounding,” says Shannon Stokes, who styled our shoot alongside Farren Fucci. “And Farren added the ‘future’ angle to give it a twist, so it became a challenge to envision what a girl who worked there might look like,” he added.

Click through to see Badgal behind the counter and pick up a copy of our new issue when it hits stands March 6th.

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RIHANNA TAKES FLIGHT – The pop star channels Amelia Earhart in looks that are utilitarian, modern, and sexy. In an essay for Bazaar first published in 1929, Amelia Earhart explains how to fly fashionably.

“There’s something so special about a woman who dominates in a man’s world. It takes a certain grace, strength, intelligence, fearlessness, and the nerve to never take no for an answer. Amelia Earhart was such a dynamic force in her industry, setting multiple aviation records in her time. So it was a no-brainer for me to team up with Harper’s Bazaar in honor of a woman who held her own with the big boys.” — Rihanna

What does the woman aviator wear? This question is asked me as often as any other connected with aviation. Ten years ago I could have described a flying costume. It would have consisted of helmet, goggles, leather jacket, breeches, and some sort of high boots. There were no traditions but those of wartime flying to follow, and both men and women adopted or modified it to suit commercial needs. Also, flying fields were usually dirty, planes were crude, and there were no refinements in facilities, such as passenger waiting-rooms, and so forth.

Altogether, the clothing had to be rather rough. Since the war, flying has under gone the same sort of changes that automobiling did previously. Do you remember the dashing linen dusters and gauntlets and veils of 1908? They constituted an “automobiling costume,” and of course one couldn’t tour without the proper accessories. At the present time, with the development of luxurious passenger planes,?…there isn’t the necessity for special dress. One wears ordinary street clothes. Why not? There are comfortable upholstered seats, one can move about at will, read, or write, or sleep. On one line a buffet luncheon is served at no extra charge.

Unlike railroad or automobile travel, one has a clean face at the journey’s end…?. Even the pilots wear street clothes, usually…From observation it appears that one of the most popular outfits for summer flying is knickers and a sweater. These pilots look more as if they belonged on the fairway than on the runway. When I am flying in my little plane, I usually wear a sports costume with a rather full skirt and a close-fitting hat. Sometimes I slip a leather windbreaker on under my coat, for the temperature drops as one ascends. Most cabin planes are heated, by the way, so even this precaution isn’t necessary in them.

Usually, on a solo flight, I wear low-heeled shoes, because with low heels it is easier to keep my feet braced on the rudder bar… On the Friendship flight I couldn’t follow the rule of wearing sports clothes. The trip was a pioneering one, and comforts were not thought of. Clothes suitable for “roughing it” had to be taken. For instance, there was no step from the pontoons to the door, and I couldn’t have jumped into the plane in a skirt.

Further,…we had dumped everything to sit on, to save weight. Squatting on a rolled flying suit, or kneeling on one knee, or sliding between the large gas tanks wouldn’t have left much of a ladylike ensemble…On my transcontinental flight, recently, I had to battle against a severe sunburn…I kept a tube of cold cream in the cockpit, and when I was not otherwise engaged I tried to keep some on my face as a protection. I flew the same plane that Lady Heath, the famous English woman flier, used on her trip from London to Cape Town and back. I remember her telling me one of the absurdities of her journey was pulling out a powder puff and powdering her nose over the South African wastes.

She always carries a mirror and powder puff with her. I hope some time that flying fields will have cold cream and powder service for women fliers. Getting gasoline and oil and mechanical help only, I am sure will not be adequate in time. Seriously, women can make a great contribution to aviation by demanding comfort. Without patting ourselves on the back, I think we are responsible for the development of the gasoline service stations which adorn automobile roads today.

This article originally appeared in the March 2017 issue of Harper’s BAZAAR, available on newsstands February 21.


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Go behind the scenes with Rihanna on the set of CR 9.

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Rihanna has covered CR Fashion Book’s ninth issue, which is available on newsstands globally. Order your copy right here, and check out the photo shoot in HQ in our gallery.

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